The National Museum collaborates with the daughters of Norway’s wealthiest man, the Munch Museum collaborates with the regime in Saudi Arabia, and other hot topics from the Nordic art world.
Årets avgangsutstilling fra Kunstakademiet i Tromsø virker preget av en omsorgsfull tilbaketrekning.
Biennials open in Moss and Örebro, profile updates for Den Frie and Kistefos Museum, and an artists’ housing project in Oslo may become reality.
The first edition of the Oslobiennalen opens, Ai Weiwei sues Danish car company, Saskia Neuman becomes director of Market Art Fair, and other news from the Nordic art field.
Ways of Seeing er politisk bevisstgjørende teater som retter blikket fra en utsatt posisjon mot en beskyttet og privilegert verden.
An open letter on cultural politics in Denmark, an honorary award from Oslo Open Art Festival, a record-breaking Hilma af Klint show, and other news from the Nordic art field.
The Danish Ministry of Culture introduces a new strategy to handle sexual harassment within art education, and other news from the Nordic art field.
Supermarket opens in Stockholm, a new residency programme gets under way in Denmark, and plans revealed for the inaugural exhibition at the new National Museum in Oslo.
Norwegian artists mobilise, the first comprehensive Greta Knutson-Tzara exhibition, and new initiatives in Copenhagen: a kunsthalle and yet another commercial art fair.
Debates on cultural politics in Denmark and Sweden, a five-year programme of art in public space in Oslo, and three Nordic artists represented in the Venice Biennial main exhibition.
Visual art events on International Women’s Day, nominees for the Norwegian Art Critics’ Prize announced, and a new masters program in curating and art criticism.
Two Nordic biennials reach their tenth editions, Louisiana has troubles with a Swiss sponsor, and there is “a real crisis” with regard to acquisitions in Norwegian museums.
I nättidningen C-prints utställning om migration och kolonalism saknar verken den prekära självrelation som traditionellt har utmärkt det vi kallar för konst.
Trods vedvarende rygter om det modsatte, er kunstkritikken fortsat i live og udvikling, lyder det optimistisk i det nyeste nummer af tidsskriftet Periskop.
En pacifistisk fremtidsgadebande har været på besøg og efterladt sit hjemmelavede værktøj i Gabriel Kvendseth og Arvid Pettersens udstilling på Kunsthuset Kabuso.
– Fordi vi er en aktør i kunstutdannelsen i det norske samfunnet, tror jeg det bare et spørsmål om tid før museet får mer offentlig støtte, sier Gunnar B. Kvaran, avtroppende direktør ved Astrup Fearnley Museet.
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