Stolen Stories
The Danish Pavilion at the 56. Venice Biennial shows the clever – perhaps too clever – arrangements and storytelling for which Danh Vo is best known.
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Mainstream Media Must Be Taken out of the Hands of the Right
Nina Möntmann is a curator and theorist, and Goran Hassanpour is an artist. We met them for breakfast at Hotel Orion.
We Play Around with the Myth of CoBrA
Kasper Akhøj and Tamar Guimãraes are participating in the group show curated by Katerina Gregos in the Belgian Pavilion. We met them for an afternoon drink.
We Need to Have Freedom of Love
Yesterday, Jaanus Samma opened A Chairman’s Tale at the Estonian Pavillon. We met him for a caffè macchiato just outside the Palazzo Malipiero.
Post-Internet Art Criticism Survey
The ‘Post-Internet’ concept has entered mainstream consciousness – but how does it reflect on the status quo of art criticism today? Writers, critics and editors give their responses.
Post-Internet Art Criticism
The ‘Post-Internet’ concept has entered mainstream consciousness – but does it receive the critique it requires? How does it reflect on the status quo of art criticism today?
A Comedy of Exchange
Runo Lagomarsino and Carla Zaccagnini’s exhibition at Malmö konsthall follows a comedic logic of displacement, but the result is mostly confined within the expected.
The Magus
– When you need a change, you should change to the opposite, from light to dark, from black to white, says Goutam Ghosh, who has his first show at Standard (Oslo).
Interview: Lisa Tan
– I wanted to treat the screen space as an affective material, says Lisa Tan, who participates in the New Museum Triennial, opening this week.
Triennial Baby
The New Museum Triennial opens this week. A post-ISIS baby, it comes into this world at a time of impending global economic and climate doom, yet it brings positive future scenarios.
11 december – Matthew Rana
Kunstkritikks egna skribenter och inbjudna gäster väljer det mest intressanta från konståret 2014. Varje dag från den 1 till den 24 december publiceras ett nytt bidrag. Idag: Matthew Rana.
How Non-art Came to Be
– With the rejection of Manet’s Déjeuner sur l’herbe from the Salon the painting fell into a limbo of sorts. It was art denied in its art quality. That is what non-art is, says Thierry de Duve.
